翻訳と辞書
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・ When We Were Orphans
・ When We Were Repressed
・ When We Were Small
・ When We Were the New Boys
・ When We Were Twenty-One
・ When We Were Very Young
・ When We Were Young
・ When We Were Young (Adele song)
・ When We Were Young (album)
・ When We Were Young (Bucks Fizz song)
・ When We Were Young (film)
・ When We Were Young (Human Nature song)
・ When We Were Young (Pat Lynch song)
・ When We Were Young (Sneaky Sound System song)
・ When We Were Young (Take That song)
When We're Human
・ When Weather Changed History
・ When Were We Funniest?
・ When Were You Born
・ When Will I Be Famous?
・ When Will I Be Famous? (TV series)
・ When Will I Be Loved
・ When Will I Be Loved (film)
・ When Will I Be Loved (song)
・ When Will I Be Loved?
・ When Will I See You Again
・ When Will I See You Again (disambiguation)
・ When Will I See You Again (Johnny Mathis album)
・ When Will I See You Again (Thomas Anders album)
・ When Will I See You Smile Again?


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When We're Human : ウィキペディア英語版
When We're Human

"When We're Human" is a song from the 2009 Disney animated feature film ''The Princess and the Frog''. It is performed by Louis, Tiana and Naveen (frogs ), when they are sailing down a river and fantasizing about what they will do when they become human. The song was composed by Randy Newman and co-orchestrated by Jonathan Sacks, and features Michael-Leon Wooley (as Louis), Bruno Campos (as Prince Naveen) and Anika Noni Rose (as Tiana). The song "is in the style of jazz", while having " a Mardi Gras party sound". The trumpet solos are performed by Terence Blanchard on behalf of his horn-blowing animated alter ego Louis the Alligator.
==Analysis==
This song continues a recurring theme in Disney movies about characters' "humanity () cursed away". In particular, the song "Human Again" from ''Beauty and the Beast'' is thematically similar to this one. The Chicago Tribune notes "The song's story purpose is similar to "Human Again," cut from Disney's "Beauty and the Beast" but interpolated into the stage version", and also describes the song as "in the spirit of "Hakuna Matata".
While "in no previous Disney film is any princess ever transformed into an animal", a "longing to be human" theme is evident in many Disney films, and "there is almost always a song about it: Ariel, The Beast and his servants, King Louie, and others all sing about wanting to be human---and therefore to be better than their lowly non-human form". In general, "animals who behave like humans in Disney films are always coded as protagonists...and humans who behave like animals are always antagonists", with "animal" often being coded as a non-white race. The two non-white leads when 2/3rds of the film as frogs and desire to be human - the implication is that they are not allowed to be coloured in their own film, and must "long to “fix” their doubly errant color and species throughout the film---again, with a significant racial subtext".
CBN notes that the philosophy of karma is evident in the song, due to Tiana's lyric: "If you do your best, each and every day, good things are sure to come your way. What you give is what you get." ''Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies'' notes that Louis sings about wanting to be human so he can play in a jazzband, due to his attempt to "jam...with the big boys" in his current form not "end() well". The book argues that this is a metaphor for "how blacks existed and learned to improvise under the condition of being deemed less than human". It argues that under the surface, the song can be read as "about he claim for black humanity".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「When We're Human」の詳細全文を読む



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